Luxury hospitality and private residences. One point of reference, from the drawing to the last piece on site.
Each idea is a space designed end to end. Open one and it plays as a continuous move through it — not a wall of thumbnails, but the room revealing itself the way it does when you walk in.
I take the whole project, or a defined scope of it: furnishing and procurement inside an existing design, execution documentation for a finished project, or an FF&E consultation for an operator or contractor.
Full design of the space, delivered as high-resolution renders the client sees before execution.
Measured drawings for every piece and every wall, ready for the contractor and the factory without further interpretation.
Every material with its code, specification, sheen level and site notes.
Plans and dimensions for every piece, with frame, foam and fabric specifications, plus FF&E schedules with quantities, suppliers and lead times.
Lighting layouts and ceiling levels, coordinated with electrical and plumbing before the pour.
Line-by-line comparison of factory quotes, negotiation, and follow-up of purchase orders and shipping from Italy, Turkey and China.
Factory visits and in-person sample approval before production, with site supervision through to handover.
Hotels · palaces · villas · apartments · offices and commercial spaces.
Understanding how the client lives and what the space needs, then a layout and renders approved before any execution step.
Dimensioned shop drawings, coded material schedules, and furniture drawings ready for the factory.
Requesting and comparing factory quotes, negotiating them, then following purchase orders and shipping.
Sample inspection before production, supervision of installation, and handover on site.
An interior designer based in Makkah, working since 2018 on residential and hospitality spaces: palaces, villas, apartments, offices and commercial interiors.
I take the project end to end: concept and renders, dimensioned shop drawings, coded material schedules, and approved furniture schedules that go straight to the factory. That documentation is what makes a design get built exactly as drawn.
My attention to detail starts with the material itself. I do not approve a colour before I know how it is made, how it is cleaned, and how it behaves under the site’s lighting. I follow production to the factory floor and inspect samples in person before approving a run, because the difference between good design and good delivery is decided exactly there.
AutoCAD · 3ds Max · Photoshop · Adobe Suite · Microsoft Office